Knitting in the technique of Irish lace. Work on errors.

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Knitting in the technique of Irish lace. Work on errors.

Knitting in the technique of Irish (typical) Lace turned out to be so interesting and fascinating that she wanted to continue. Immediately I want to please those who tormented their first Irish debt - the second job will go much faster and easier. For example, knitting the most ill-fated mesh, which is given with such labor at the very beginning, it is not almost the most favorite activity in all knitting, it is as they say from personal experience.

It is quite natural that in the second job I wanted to "work on mistakes", to take into account and work in practice those conclusions that were obtained as a result of working on their first creation.

And the very first thing for what I want to start - a composition in which a selection of color combinations and yarn textures play an important role. If you are still in doubt that you can harmoniously pick up colors, try "one-photo Ireland" - always a win-win version. At the same time, it is possible to choose a different color in the texture and texture of one color, which will emphasize the relief and contrast of motives. The result can not but please - monochon lace always look spectacular. If we still want to see some color solution, then you need to take a selection of colors seriously (this is me from my sad experience). First, fight in every way with the temptation to "attach" any remains of yarn. Such savings does not justify yourself. Even if you pick up successfully color (which in itself is a rarity), it may be trite to miss the amount of threads. All this will put you in a rigid framework and will not be realized to your creative idea in full force. After all, besides the fact that you will need to harmoniously enter your remnants of threads in the flower gamut, it will still need to even distribute all this throughout the product, which is quite problematic, if there is no possibility to purchase missing threads. Although this is just just a recommendation and if you are not afraid of these difficulties, try. Secondly, trust your intuition if the tank of you bother the straw is in a resonance with other threads, or even only causes you an inexplicable discomfort, boldly throw it out of the project.

After the idea of \u200b\u200bthe future masterpiece is defined and the yarn is chosen, knit motifs.
Since the idea itself is thin and intuitive, and the main thing is subject to various adjustments in the creative process, I would not impose all the motifs immediately and fill with them all the pattern (unless you repeat the ready-made model). After all, it is often precisely in the process of knitting that some ideas, finds, additions arise. Perhaps you decide to enrich the overall picture with a new motive or replace the existing motive on another. Word leave a place for maneuver. In addition, if you, like me, do not lock the motives based on, in the end, they will be located on the pattern at all as you laid them originally. Therefore, in my case there is always the opportunity to simply impose extra motives.

Initially, my idea was like that. I wanted to make a focus on the grid, and the motives (roses) pull down the product, forming them the edge (bottom of the product). It was supposed to be the same as the motives themselves will not be much.

So, fill in part pattern by motifs, fix them with the help of "hooks". (Since in his past the product when assembling the grid, I often missed the hooks in the canvas and where it was necessary, did not fasten the motifs of the grid, I decided to make the hooks with contrasting color so that they dramatically stand out on a general background and they were clearly visible). Thus, from the motives and cord, we, as it were, form a frame of the canvas, and then fill it with a grid.

At the same time, the contours of the "islets", the grid sections are formed already in the process of knitting this mesh itself. Moreover, the islets are not uniformly in order, one by one, but in a disorder. It seems to me important: after all, I knit the grid on a straight plane (table) and this very plot of the grid is also flat, and after all, the canvas will need to be put on the shape. Therefore, the "spaces" specifically left in different places are adjusted later on the figure, and it is at the expense of them. In my head, I constantly hold two things: a common idea and dyeing (or rather the places where they should be).

Unforgettable ready-made parts of the canvas slightly stroke and disappear (as a rule, after that, the web slightly increases) and constantly check it with the pattern. The most important thing is not only not to get out of the pattern, namely, do not tie up to its edges in the sides and on the shoulder seams. We need this in order to not form a visible seam, the junction of the canvas, the transition should be inconspicuous and this technique of typical lace as no other allows us to do it very easily.

After all the details are connected, I begin the assembly on the figure. All the details I fixed with the help of hooks and chains of air loops, which then filled all empties. If these most empties were obtained by large, I pasted the motifs, the main thing is that they do not contradict the overall.

In this work, I wanted to make the grid the main element in the product. I tried two types of mesh: with rings and ordinary, irregular. (I knit the last one for the first time! It seems that I got it).

I also noted that knitting "rings" is conveniently for weight, when the motives are strictly fixed on the basis, it is very difficult to knit them, I would even say, almost impossible.

Here is a small example of filling the sections of the grid.

Of course, the left tails are better hiding at once, as they prevent in work. But if you do not so often fall the ability to knit, but especially knit in silence and tranquility in "normal (for knitting in the Irish lace technique) conditions", then the tails can be engaged later, for example, when the table is busy or when you sit on a bench in the yard, Walking with a child. This is the question of saving time.

When knitting the mesh, we naturally try to bore the motives recorded by the "hysteries", and even think about the direction of knitting, to better do it. But if it does not work out the "hook" beautifully, we skip it. Our mesh must be perfect! There is nothing terrible in this, even if it is not possible to bore the hook another time (on the other side), it can always be done separately (just an additional tail, which is also easily hiding in the motive).

Of course, when you just begin to knit something in the technique of Irish lace, you will definitely come across the situations when something does not work, something needs to be corrected, correct, and even redo it completely. As they say, no gods pots burn! After all, we are learning everything, but this is a lifelong process. Therefore, I would like to dwell the same on my alterations.

I do not fix the motifs based on, so I have the opportunity to constantly turn the cloth and see what I get from the face. However, when the leaf is tied with a grid, I still looked at the "teeth" that I got. I decided that it was easier to correct than to reject it again. Since the threads from which the leaves were connected, they ended with me (and it was possible to bind the motive on the edge), I took advantage of such a disguise: and the defect hid and gave a leaf expressiveness. Maybe who is useful.

If you (like me) still happened, so that the canvas were imposed a little more than you need, do not worry, everything can be fixed! And this is not so difficult to do it and scary as it may seem at first glance. When you need to remove a small plot of the grid, I don't think that it makes sense to look for the "beginning-end" thread to dissolve it. First, it may be unpromising, (especially if all the "tails" are tightly hidden), secondly, it is very easy to dissolve at all that is not what you need. It is much easier to take scissors and carefully cut up more superfluous, not assigate adjusting motifs (right through the connecting columns of the grid). Then, "Clear" motifs from the remnants of the grid and consolidate an open end, avoiding further dissolve (it is certainly important to find it). And then you carefully check if we missed anything, for example, damaged by randomly motive, another unlocked end, while everything that could dissolve. Well, everything is ready for alteration. (I will tell you the secret that I, coming to all the same rake, in such a way it reduced the volume of the sleeve, well, that next time you will pay even more attention to the pattern).

Knit "Yarrow"

In the Irish set lace is often found a very popular motive "Yarrow" or "Sorry-Troop". Motive is performed using Bourdona.

I remind you that Bourdon is a thread of 3-4 additions. It is advisable to use the same thread as working or suitable exactly in color. Otherwise, in the beggars will peck over another basis.

We start with 18 S.B.n., scored on Bourdon. We conclude them in the ring, hooking for the initial n. Connective p.

Then continue to recruit another 60 st .b.n.

I turn the knitting, pre-tightening the bouron threads meal. We remind you to turn over, as a read sheet of books.
And they are tied 20 st .b., having rubbed Bourdon over the loops of the previous series.

Prranny the last paragraph, be sure to pull up Bourdon, setting the form and density of the motive.

Temporarily retissure Bourdon's threads. And then knit in this order: 3 Reed. P., By skipping 2 p. Of the previous row, we are proving 1 st .S.N., again 2 Recalls. So to check the head of the sheet. By rounding, knit also, only we skip 1 p. Previous r.

Turn the knitting and tie into each artwork for 3 tbsp.
All this time, Bourdon do not touch!

Having reached the last paragraph, we turn work and on one Bourdone we impose 15 st .b.n.

Again, turn the work and, having rubbed Bourdon, knit like this: 2 st .B.N., 2Polustolbik, 7 st .S.N., 2 semist., 2 st.B.N.

Turn the job, we skip 2 p. Of the previous series, they are proving 1 st .b.n., clinging for a number of foundations and again, having rubbed the Budon on top of the already bound petal, we are proving 8 st .b.

Again turn the work and inserted in the above order by forming another petal.

Thus, we take the whole range to the end.
And we get a very original and traditional motive of Irish lace.

The crown of a career for any needlewoman can be a crochet-knit dress in the technique of Irish lace. After all, this is the most complex, well-minded, labor-intensive knitting technique.

Why is it difficult to knit Irish lace in the technique

You need to make the right pattern, ideal for your shape. The motifs are connected by a grid into a single cloth without seams, if your pattern does not match the size of the figure, then it will be very difficult to dissolve and reject the finished product.
On the pattern there must be a sweep, without them. Only with the dressing dress will sit as needed. If you are not sure about the accuracy of the pattern, then take and dislike the dress from any fabric. Example and already adjust.
The product consists of a large number of items, it is very important to choose a beautiful color gamut for them. You often see how craftswomen demonstrate their dresses in the technique of Irish lace, but you understand that they are too allay, or vice versa, too simple. It seems that it is clear that everything is connected clearly, a lot of work is spent, but the product does not "sparkle" with its beauty. But this technique is designed for the fact that we could create masterpieces, unique in kind.
Needlewomen advise not to choose a lot of different motifs if you are not sure of your skills. After all, the more elements of the Irish lace you will connect, the more difficult it is to fit them harmoniously into the finished dress. Those who knit Ireland recently choose elements simpler, but professionals prefer to create copyrighted elements, no matter. It is not enough to repeat the work associated one day it is very difficult, and it is not always possible to guess the scheme of one or another element. Professionals should have their own secrets.
It is necessary to turn the thread and hide the tips at the end of the knitting of each motive. And the motives in one dress can be 50 - 100 - 200 and even more. Each time you need to take a needle, hide the tip, cut off the excessive yarn, subjected to heat or humid processing and collect separate compositions from them.
The last and satisfied monotonous part of the work is to combine individual elements of Irish lace to a whole dress. If you connect them to an irregular grid, then the hook you need to take a thin, and therefore it will have to connect long. The mesh should not spoil the composition, and supplement them.
Dress in engineering Irish lace for 1, 2 weeks not to tie, real masterpieces are created months, and therefore patience and labor will have to spend a lot. Not all reach the finish line. And those who reach, can be proud of themselves. The dress is left in descendants as family value and inherited.

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Here it is my first dress in IR.
Further I will describe how it was gone. Maybe someone will come in handy

He was inspired by Irish lace from the Internet, decided to try to do in the same style for himself.
I have not worked with Irish lace, but the more interesting will it be.
To begin with, I knit samples of some motives that I like and not particularly complex in fulfillment.
Learn more detail, I will give a description of each of them.

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Here is one single mixture 50g.
Threads Violet from Yarnart.

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These are multi-layer flowers as it turns out from one motor.
The residue of the macs knit or small elements or as a twig where the thread is enough.

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Knitting flower:
Dial 6 c. P. Connect into the ring.
1p. Three lifting loops, 15 columns with nakid in the ring.
2p. 8 arches of 3 air loops with a fixation of a column without a nakid.
3p. Over each arch, we perform petal. The first and last column without Nakid, and in the center of 5 tbsp. With Nakud.
4p. 8 arches out of 5 c. p., with fastening under between the leaves of the previous layer.
5p. Over each arch, we perform petal. The first and last column without Nakid, and in the center of 7 tbsp. With Nakud.
6p. 8 arches out of 6 c. p., with fastening under between the leaves of the previous layer.
7p. Over each arch, we perform petal. The first and last column without Nakid, and in the center of 9 tbsp. With Nakud.
If it is not very clear the description, there are many schemes of similar flowers.
Here you can fantasize and with the number of layers and form of petals

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This is a leaf pattern. Sick more with pictures.

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1. Tie a 16 V chain. P. Connect into the ring, tied up 24 st. B \\ N, and make 3 lifting loops

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2. Rotate work. Skip one lower st b \\ n. Knit 11 st b / n, capturing both pigtails.
Arob from 5-and air loops. Skip one lower st b \\ n. Knit 11 st b / n, capturing both pigtails.
3 lifting-turn loops.

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3. Rotate work. Skip one lower st b \\ n. Knit 10 st b / n, capturing both pigtails.
Then four century b / n under the army loop. Arob from 5-and air loops. And three more articles under the army loop. Further
We continue to knitting the articles, stop tight to the edge of 2 century b / n and make three lifting-turn loops.

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4. Rotate work. Skip one lower st b \\ n. Knit via b / n in every bottom. Three art. B / N under the army loop.
Archka 5th century p. And four st. B \\ N under the arch. At this stage, be attentive.
On the other side, where we knit three columns under the arch, it will be formed a concave, where four are the convex edge of the leaf.
After four art. Under the arch, we continue to knit, not reaching two articles. to the edge.

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5. Rotate work. Skip one lower st b \\ n. Knit via b / n in every bottom. Four art. B / N under the army loop.
Archka 5th century p. And three more art. B \\ N under the arch. We continue to knit, not reaching here and in subsequent ranks are already three tbsp. to the edge.
We make three loops of raising-turn.

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6.-- 12. We continue to knit everything similarly, guided by the principle, after turning at the beginning of one Art. We skip
under the army knit 4 st with convex and 3 with a concave side and at the end of three art. Non-link.
We continue to knit before reaching the cleaner of the desired size. I like the number 12. One big + 11 small holes.

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13. Delat similarly to the previous rows, but under the arch we do only 7 tbsp. b \\ n.

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14. We will reject similarly, but on the rounding we do 2 tbsp. B \\ n surplus, so that the round edge did not pull.

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15. Well, the final row is tied to the middle of the rounding, the last art. We replace on a deaf loop and make the clip.
A deaf loop will allow to finish knitting up to no.

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In the process of knitting, the leaf is very spinning, so it looks unimpose.

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50 grams of leaves and small parts from the residue

Further small MK Motive "Curl"

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1. Tie 20cm cord "Kosher". Make 3 lifting loops. Tie Art. C \\ N.

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2. Call a column. I make 5 pairs of cashing. Total to tie 12 accusing columns into every pigtail loop.
Thus, the pigtail falls in a circle.

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3. Tie another 9 accusing columns with fixing one loop into a pigtail,
So that there was no further rounding or was minimal.

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4. Further 3 Art. C \\ N in two receptions, 3 tbsp. C \\ N in one reception, 3 tbsp. b \\ n. And further to the end I am made with deaf loops.

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5. Rotate work. Take the arches out of 3 c. p., Fixing Art. B \\ N between lucked columns,
And on the plot of deaf loops in each third.
Secure a deaf loop opposite the fourth accomplishment. For loop formation.

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6. Rotate work. Make the strapping of the arches: 2 tbsp. B \\ N, 3 in. p. 2 tbsp. b \\ n.
Finish a deaf loop.
That's the way it turned out a cute and not a difficult curl

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50gr. curls.

Further I will knit a big openwork shell

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1. Tie a pigtail about 32cm - 100 kettles

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2. 3 lifting loops and art. C \\ N in the first loop of the pigtail. 2nd. P..
Further knit two tbsp. C \\ N in each second loop of pigtails,
Alternating with two in. P .. Tie 25 pairs.

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3. Continue to knit pairs of columns, but already alternating with one century. n. until the end of the pigtails

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4. Rotate work. Take the army st. B \\ N: 3pcs under 1B. P, 4 pcs under 2B. P.
Fasten into the ring opposite 21-22 pairs of columns, so that it fell beautifully in a circle.
Slit 3 deaf loops in the loop of the pigtails

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5. Art. B \\ N in the third loop of the army strapping. Again, 3 deaf loops in the pigtail.
St s \\ n in the third loop of the strapping of the arches.
Thus, to plunge six tbsp. C \\ n.

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6. Next, knit 4 deaf loops into a pigtail, and go to columns with two navigations,
So that the shell saved a little. At the end of the pigtails to make strapping
Three art. B \\ N extreme column of three air loops. Secure a deaf loop end of work.

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Imposed almost half of the volume.
I start to indulge, cried the motive on the dress,
I evaluate what happens.

Total bought 12 intake. This is a snack 4mak.
So and on the second half will go somewhere the same.
Other threads on the assembly and possibly a small sleeve,
In the course will be seen.
I hope in 12 metals to meet

Another motive "Spiral"

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1. Wash on hand 3 turns thread. You can use the template: book, line, etc.
From the length of the wound thread will depend on the final size of the element.

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2. Peer 2 tbsp. B \\ n under three threads.
Return auxiliary thread so that it is more convenient to keep work at the beginning.

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3. Slit 5-7 tbsp. b \\ n already under all six threads

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4. Pull the auxiliary thread and move the closed columns to the edge,
So that the hole closed at the beginning and so that the turns lay more tight.

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5. Continue knitting by columns, every 10-12 columns I shifted them slightly sealing,
So as far as I am pleased with the eye.
When a row ends, insert an auxiliary thread, so that it is more convenient in hand

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6. Keep to the end, pull out an auxiliary thread
And in the extreme loop to check another 5-6 columns.
Stop and cut down, leaving 50 cm free threads, hover in a cake needle.
Or anyone with a big comfortable ear.

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7. We will then sew. Layers lay down in a circle and stitch the pigtails for the loop.

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8. This is the facial side.

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9. We continue to cross how much you like. Or to the end or leaving the tail.
I will still leave a small tail.
When assembling the dress will be seen what to do with it.

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Berry or butcher, as you will be pleased.
1. Wash 10 turns to the pencil.
2. 3. 4. Knit three rows of columns without Nakid over the other, rolling the hook is always in the center.
You can knit and more until the hole is closed in the center.
From this depends the amount of berry.
I plan to use this element immediately.
On this, I immediately make two loops of lifting.

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Pugovka turn the wrong one on the face, on this side it looks more convex.
I attach to the shell inside a deaf loop, I make two deaf loops in total three deaf into the pigtail.
Then in the button of the column with Nakad and so alternate almost to the end.
At the end, I make columns more informant, definitely on the eye, one column with two naughty,
And two more columns with three nakidami. Trying so as not to pull and beautifully lay down.

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Oak fifth enemy

The comments emerged a question about the hook room. I find it difficult to answer.
I have an old Soviet set for 4 rubles 50 kopecks. I use the smallest.

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Another coup snack.

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Another motility of the leaves.

It turns out a lot of dense elements.
I decided to introduce another easier.

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And I braided one Motochka Viola with this flower.

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For further work, assembling the product, it turned out to be needed additional devices.

I made them yourself in a couple of days

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These are oval pillows, for lining under the pumping of priests and hips.

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This is a rectangular tablet 33/40 cm for collecting direct sections.
For convenience and stiffness inside the plywood is inserted.

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Focusing on the size of his cups, produced two hemispherical pillows,
For the convenience of work in the field of chest extortes.

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This turned out a set of pillows for work.
According to the advice of experienced craftsmen, he decided to use foam rubber.

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Now the manufacturer of the base for work to which the elements of the lace will be taken.

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All elements are folded on the basis and take it in stockpenter.

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Since I have a good figure figure. And I know from the experience that the most interesting
This is how the product will sit in exactly the real person.
In journals, they are all super beauty.
So for curiously my parameters, height 153, hips 104, chest 88, waist 74.

For edging the neck and lightning line used pig-based cord,
Ringed from two sides by a rachy step.

In the process of signing the elements had to be taped. not enough.
And I decided that they should be density.
As a result, 10 motors of the threads from Yarnart 282m in a 50-gram mett board took the elements.
The dress is already tangible, weighs the shelter.

I turn to the assembly.

Collected decided using the needle the same thread, simply speaking, sew a mesh.

Working with the tablet looks approximately so, we stick the straight area.
We seduce. Pick up. Move. Put the next site.

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At the plots for convenience and greater anatomical accuracy of the product are using pads.

So seduced before the dress.

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And spin

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The view from the inside is slightly wrinkle, because when you push it on the tablet, we stretch the elements and stretch a slightly.
Let it not confuse you, the better will sit on the figure.

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Sleeve assemble in unfolded on the tablet

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We sew the mesh sleeves.

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Step side seams of sleeves.

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We cover the sleeves in the armor.

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Using a small pad, begin to interrupt the mesh on the side seam of sleeves and the arm.
It will come to tinker, overlapping the product with small areas due to the complex form of the armor.
But it is worth it !!! Do not neglect the accuracy of cut, the product then thanks for you to say,
And sits on the figures like this

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Next, after the entire mesh is sewn,
I washed a dress on manual mode and not ceremony
On the annealing 800. Dress cotton, dries long.
It is better to dry in the warm room.
Then it was rejuvenated, without removing the foundation.
And then it has already cut the mark.
It will not describe the manufacture of a subflade.
Who can sew saves.
Who can not, order a dressmaker.

Tip, the lining also needs to sew in the figure.
I used the tight pattern that and for the manufacture of the base.
Do not forget to let the freedom of fickling, so
When walking dress not crawled up.

Lace and lining connected manually along the neckline and zipper.

So the dress looks with an inside.

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Incision on the back on the skirt I decided to sew a flower, but left on the subservation left,
All the same lining is not knitwear.
The dress is not a long plus elastic, when walking no discomfort.

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